A modern classic in the African literary canon and voted in the Top Ten Africa's 100 Best Books of the 20th Century, this novel brings to the politics of decolonization theory the energy of women's rights. An extraordinarily well-crafted work, this book is a work of vision. Through its deft negotiation of race, class, gender and cultural change, it dramatizes the 'nervousness' of the 'postcolonial' conditions that bedevil us still. In Tambu and the women of her family, we African women see ourselves, whether at home or displaced, doing daily battle with our changing world with a mixture of tenacity, bewilderment and grace.

Nervous Conditions

Winner of the Guardian fiction prize, this novella and nine short stories describe life in a Zimbabwean township. They are about the brutalization of the individual's mental processes, until madness, violence and despair become the normal state of affairs for families in black urban areas.

The House of Hunger

A sequel to Nervous Conditions, this is a powerful and engaging story about one young woman's quest to redefine the personal and political forces that threaten to engulf her. As its title suggests, this is also a book about denial and unfulfilled expectations and about the theft of the self that remains one of colonialism's most pernicious legacies. The novel disrupts any comfortable sense of closure to the dilemmas of colonial modernity explored in Nervous Conditions and as such is a fitting sequel.

The Book of Not (Nervous Conditions, #2)

An exciting literary debut: the unflinching and powerful story of a young girl's journey out of Zimbabwe and to America.

Darling is only ten years old, and yet she must navigate a fragile and violent world. In Zimbabwe, Darling and her friends steal guavas, try to get the baby out of young Chipo's belly, and grasp at memories of Before. Before their homes were destroyed by paramilitary policemen, before the school closed, before the fathers left for dangerous jobs abroad.

But Darling has a chance to escape: she has an aunt in America. She travels to this new land in search of America's famous abundance only to find that her options as an immigrant are perilously few. NoViolet Bulawayo's debut calls to mind the great storytellers of displacement and arrival who have come before her--from Junot Diaz to Zadie Smith to J.M. Coetzee--while she tells a vivid, raw story all her own.

We Need New Names

"Butterfly Burning" brings the brilliantly poetic voice of Zimbabwean writer Yvonne Vera to American readers for the first time. Set in Makokoba, a black township, in the late 1940s, the novel is an intensely bittersweet love story. When Fumbatha, a construction worker, meets the much younger Phephelaphi, he"wants her like the land beneath his feet from which birth had severed him." He in turn fills her "with hope larger than memory." But Phephelaphi is not satisfied with their "one-room" love alone. The qualities that drew Fumbatha to her, her sense of independence and freedom, end up separating them. And the closely woven fabric of township life, where everyone knows everyone else, has a mesh too tight and too intricate to allow her to escape her circumstances on her own.

Vera exploits language to peel away the skin of public and private lives. In "Butterfly Burning" she captures the ebullience and the bitterness of township life, as well as the strength and courage of her unforgettable heroine.

Butterfly Burning

Winner of the Macmillan Prize for African Adult Fiction

An uncompromising novel by one of Africa's premiere writers, detailing the horrors of civil war in luminous, haunting prose

In 1980, after decades of guerilla war against colonial rule, Rhodesia earned its hard-fought-for independence from Britain. Less than two years thereafter when Mugabe rose to power in the new Zimbabwe, it signaled the begining of brutal civil unrest that would last nearly a half decade more.

With "The Stone Virgins" Yvonne Vera examines the dissident movement from the perspective of two sisters living in a small township outside of Bulawayo. In a portrait painted in successive impressions of life before and after the liberation, Vera explores the quest for dignity and a centered existence against a backdrop of unimaginable violence; the twin instincts of survival and love; the rival pulls of township and city life; and mankind's capacity for terror, beauty, and sacrifice. One sister will find a reason for hope. One will not make it through alive.

Weaving historical fact within a story of grand passions and striking endurance, Vera has gifted us with a powerful and provocative testament to the resilience of the Zimbabwean people.

The Stone Virgins

The ravaged continent of Genabackis is a terrifying new empire, the Pannion Domin, that devours all. An uneasy allliance resists: Onearm's army, Whiskeyjack's Bridgeburners and former enemies - forces of Warlord Caladan Brood, Anomander Rake and his Tiste Andii mages, and the Rhivi people of the plains. And the Crippled God intends revenge.

Memories of Ice (Malazan Book of the Fallen, #3)

Set in South Africa under white rule, Doris Lessing's first novel is both a riveting chronicle of human disintegration and a beautifully understated social critique. 

Mary Turner is a self-confident, independent young woman who becomes the depressed, frustrated wife of an ineffectual, unsuccessful farmer. Little by little the ennui of years on the farm work their slow poison, and Mary's despair progresses until the fateful arrival of an enigmatic and virile black servant, Moses. Locked in anguish, Mary and Moses -- master and slave -- are trapped in a web of mounting attraction and repulsion. Their psychic tension explodes in an electrifying scene that ends this disturbing tale of racial strife in colonial South Africa.

"The Grass Is Singing" blends Lessing's imaginative vision with her own vividly remembered early childhood to recreate the quiet horror of a woman's struggle against a ruthless fate.

The Grass Is Singing

A woman in a township in Zimbabwe is surrounded by throngs of dusty children but longs for a baby of her own; an old man finds that his new job making coffins at No Matter Funeral Parlor brings unexpected riches; a politician’s widow stands quietly by at her husband’s funeral, watching his colleagues bury an empty casket. Petina Gappah’s characters may have ordinary hopes and dreams, but they are living in a world where a loaf of bread costs half a million dollars, where wives can’t trust even their husbands for fear of AIDS, and where people know exactly what will be printed in the one and only daily newspaper because the news is always, always good.

In her spirited debut collection, the Zimbabwean writer Petina Gappah brings us the resilience and inventiveness of the people who struggle to live under Robert Mugabe’s regime. She takes us across the city of Harare, from the townships beset by power cuts to the manicured lawns of privilege and corruption, where wealthy husbands keep their first wives in the “big houses” while their unofficial second wives wait in the “small houses,” hoping for a promotion.

Despite their circumstances, the characters in "An Elegy for Easterly "are more than victims—they are all too human, with as much capacity to inflict pain as to endure it. They struggle with the larger issues common to all people everywhere: failed promises, unfulfilled dreams, and the yearning for something to anchor them to life.

At the sound of the last post --
An elegy for Easterly --
The annex shuffle --
Something nice from London --
In the heart of the Golden Triangle --
The Mupandawana dancing champion --
Our man in Geneva wins a million euros --
The maid from Lalapanzi --
Aunt Juliana's Indian --
The cracked, pink lips of Rosie's bridegroom --
My cousin-sister Rambanai --
The negotiated settlement --
Midnight at the Hotel California

An Elegy for Easterly: Stories

Thrilling, heartbreaking, and, at times, absurdly funny, "The Last Resort" is a remarkable true story about one family in a country under siege and a testament to the love, perseverance, and resilience of the human spirit. 

Born and raised in Zimbabwe, Douglas Rogers is the son of white farmers living through that country’s long and tense transition from postcolonial rule. He escaped the dull future mapped out for him by his parents for one of adventure and excitement in Europe and the United States. But when Zimbabwe’s president Robert Mugabe launched his violent program to reclaim white-owned land and Rogers’s parents were caught in the cross fire, everything changed. Lyn and Ros, the owners of Drifters–a famous game farm and backpacker lodge in the eastern mountains that was one of the most popular budget resorts in the country–found their home and resort under siege, their friends and neighbors expelled, and their lives in danger. But instead of leaving, as their son pleads with them to do, they haul out a shotgun and decide to stay. 

On returning to the country of his birth, Rogers finds his once orderly and progressive home transformed into something resembling a Marx Brothers romp crossed with "Heart of Darkness": pot has supplanted maize in the fields; hookers have replaced college kids as guests; and soldiers, spies, and teenage diamond dealers guzzle beer at the bar. 

And yet, in spite of it all, Rogers’s parents–with the help of friends, farmworkers, lodge guests, and residents–among them black political dissidents and white refugee farmers–continue to hold on. But can they survive to the end? 

In the midst of a nation stuck between its stubborn past and an impatient future, Rogers soon begins to see his parents in a new light: unbowed, with passions and purpose renewed, even heroic. And, in the process, he learns that the "big story" he had relentlessly pursued his entire adult life as a roving journalist and travel writer was actually happening in his own backyard.

The Last Resort: A Memoir of Zimbabwe

A beloved American corporation with an explosive secret. A disgraced former journalist looking for redemption. A corporate executive with nothing left to lose.

In Dhaka, Bangladesh, a garment factory burns to the ground, claiming the lives of hundreds of workers, mostly young women. Amid the rubble, a bystander captures a heart-stopping photograph—a teenage girl lying in the dirt, her body broken by a multi-story fall, and over her mouth a mask of fabric bearing the label of one of America’s largest retailers, Presto Omnishops Corporation.

Eight thousand miles away, at Presto’s headquarters in Virginia, Cameron Alexander, the company’s long-time general counsel, watches the media coverage of the fire in horror, wondering if the damage can be contained. When the photo goes viral, fanning the flames of a decades old controversy about sweatshops, labor rights, and the ethics of globalization, he launches an investigation into the disaster that will reach farther than he could ever imagine - and threaten everything he has left in the world.

A year later, in Washington, D.C., Joshua Griswold, a disgraced former journalist from the "Washington Post", receives an anonymous summons from a corporate whistleblower who offers him confidential information about Presto and the fire. For Griswold, the challenge of exposing Presto’s culpability is irresistible, as is the chance, however slight, at redemption. Deploying his old journalistic skills, he builds a historic case against Presto, setting the stage for a war in the courtroom and in the media that Griswold is determined to win—both to salvage his reputation and to provoke a revolution of conscience in Presto’s boardroom that could transform the fashion industry across the globe.

A Harvest of Thorns

Daphne White is staring down the barrel of forty—and is distraught at what she sees. Her ex-husband is getting remarried, her teenage daughter hardly needs her anymore, and the career she once dreamed about has somehow slipped from her grasp. She’s almost lost sight of the spirited and optimistic young woman she used to be.

As she heads off to a Caribbean island to mark the new decade with her best friends from college, Daphne’s in anything but the mood to celebrate. But when she meets Clay Hanson, a much younger man, she ignores her inner voice warning her that she’s too old for a fling. In fact, this tropical getaway might be the perfect opportunity to picture her future in a new sun-drenched light.

With the help of her friends, Daphne rediscovers her enthusiasm for life, as well as her love for herself—and realizes that her best years are still ahead.

Wait for the Rain

The book Stone considered his best, but most neglected, is a biographical novel based on the life of Eugene V. Debs &amp; his wife Kate, who was opposed to socialism.[1]
1. Kate Debs seemed to have been so hostile to Debs's socialist activities--it threatened her sense of middle-class respectability--that novelist Irving Stone was led to call her, in the title of his fictional portrayal of the life of Debs, the Adversary in the House. (Daniel Bell, Marxian Socialism in the United States, footnote on p. 88)

Adversary in the House: A Biographical Novel of Eugene V. Debs

Journalist Peter Godwin has covered wars. As a soldier, he's fought them. But nothing prepared him for the surreal mix of desperation and hope he encountered when he returned to Zimbabwe, his broken homeland. 

Godwin arrived as Robert Mugabe, the country's dictator for 30 years, has finally lost an election. Mugabe's tenure has left Zimbabwe with the world's highest rate of inflation and the shortest life span. Instead of conceding power, Mugabe launched a brutal campaign of terror against his own citizens. With foreign correspondents banned, and he himself there illegally, Godwin was one of the few observers to bear witness to this period the locals call The Fear. He saw torture bases and the burning villages but was most awed as an observer of not only simple acts of kindness but also churchmen and diplomats putting their own lives on the line to try to stop the carnage.

THE FEAR is a book about the astonishing courage and resilience of a people, armed with nothing but a desire to be free, who challenged a violent dictatorship. It is also the deeply personal and ultimately uplifting story of a man trying to make sense of the country he can't recognize as home.

The Fear: Robert Mugabe and the Martyrdom of Zimbabwe

Mukiwa: A White Boy in Africa

This is a story about a paradise lost. . . . About an African dream that began with a murder . . .In 1978, in the final, bloodiest phase of the Rhodesian civil war, eleven-year-old Lauren St John moves with her family to Rainbow's End, a wild, beautiful farm and game reserve set on the banks of a slowflowing river. The house has been the scene of a horrific attack by guerrillas, and when Lauren's family settles there, a chain of events is set in motion that will change her life irrevocably.

"Rainbow's End" captures the overwhelming beauty and extraordinary danger of life in the African bush. Lauren's childhood reads like a girl's own adventure story. At the height of the war, Lauren rides through the wilderness on her horse, Morning Star, encountering lions, crocodiles, snakes, vicious ostriches, and mad cows. Many of the animals are pets, including Miss Piggy and Bacon and an elegant giraffe named Jenny. The constant threat of ruthless guerrillas prowling the land underscores everything, making each day more dangerous, vivid, and prized than the last.

After Independence, Lauren comes to the bitter realization that she'd been on the wrong side of the civil war. While she and her family believed that they were fighting for democracy over Communism, others saw the war as black against white. And when Robert Mugabe comes into power, he oversees the torture and persecution of thousands of members of an opposing tribe and goes on to become one of Africa's legendary dictators. The ending of this beautiful memoir is a fist to the stomach as Lauren realizes that she can be British or American, but she cannot be African. She can love it -- be willing to die for it -- but she cannot claimAfrica because she is white.

Rainbow's End: A Memoir of Childhood, War and an African Farm

After his father's heart attack in 1984, Peter Godwin began a series of pilgrimages back to Zimbabwe, the land of his birth, from Manhattan, where he now lives. On these frequent visits to check on his elderly parents, he bore witness to Zimbabwe's dramatic spiral downwards into thejaws of violent chaos, presided over by an increasingly enraged dictator. And yet long after their comfortable lifestyle had been shattered and millions were fleeing, his parents refuse to leave, steadfast in their allegiance to the failed state that has been their adopted home for 50 years.Then Godwin discovered a shocking family secret that helped explain their loyalty. Africa was his father's sanctuary from another identity, another world.WHEN A CROCODILE EATS THE SUN is a stirring memoir of the disintegration of a family set against the collapse of a country. But it is also a vivid portrait of the profound strength of the human spirit and the enduring power of love.

When a Crocodile Eats the Sun: A Memoir of Africa

Caine Prize winner Brian Chikwava tackles the realities of life in London for Africa’s dispossessed in this fearlessly political and very funny story of an illegal Zimbabwean immigrant seeking a better life in England — with a past he is determined to hide.

Harare North

In the late nineteenth century white settlers and administrators arrive to occupy the African country of Zimbabwe (Rhodesia). Nehanda, a village girl, is recognized through omens and portents as a saviour. The resulting uprising by the Africans is brutally crushed but looks forward to the war of independence that succeeded a century later. Told in lucid, poetic prose, this is a gripping story about the first meeting of a people with their colonizer.

Nehanda

In this portrait of Doris Lessing's homeland, the author recounts the visits she made to Zimbabwe in 1982, 1988, 1989 and 1992, after being banned from the old Southern Rhodesia for 25 years for her political views and opposition to the minority white Government. The visits constitute a journey to the heart of a country whose history, landscape, people and spirit are evoked by the author in a narrative of detail. She embraces every facet of life in Zimbabwe from the lost animals in the bush to political corruption, from AIDS to a successful communal enterprise created by rural blacks, and notes the kind of changes that can only be appreciated by one who has lived there before.

African Laughter: Four Visits to Zimbabwe

Casting with a Fragile Thread: A Story of Sisters and Africa

General Matsika's children steal out of the house on a forbidden adventure--and disappear. In Zimbabwe, in the year 2194, the children's parents call in Africa's most unusual detectives--the Ear, the Eye and the Arm--who have powers far beyond those of other human beings. The children must avoid the evils of the past, the technology of the future, and a motley assortment of criminals in order to return home safely. 1995 Newbery Honor Book; ALA Notable Book; ALA Best Book for Young Adults.

The Ear, the Eye, and the Arm

Written as a letter from a Zimbabwean mother to her daughter, a student at Harvard, J. Nozipo Maraire evokes the moving story of a mother reaching out to her daughter to share the lessons life has taught her and bring the two closer than ever before. Interweaving history and memories, disappointments and dreams, "Zenzele" tells the tales of Zimbabwe's struggle for independence and the men and women who shaped it: Zenzele's father, an outspoken activist lawyer; her aunt, a schoolteacher by day and secret guerrilla fighter by night; and her cousin, a maid and a spy.

Rich with insight, history, and philosophy, "Zenzele" is a powerful and compelling story that is both revolutionary and revelatory--the story of one life that poignantly speaks of all lives.

Zenzele: A Letter for My Daughter

In this delicious and devastating first novel, which "The Guardian" named one of its ten best contemporary African books, Caine Prize finalist Tendai Huchu ("The Maestro, the Magistrate, and the Mathematician") portrays the heart of contemporary Zimbabwean society with humor and grace.



Vimbai is the best hairdresser in Mrs. Khumalo’s salon, and she is secure in her status until the handsome, smooth-talking Dumisani shows up one day for work. Despite her resistance, the two become friends, and eventually, Vimbai becomes Dumisani’s landlady. He is as charming as he is deft with the scissors, and Vimbai finds that he means more and more to her. Yet, by novel’s end, the pair’s deepening friendship—used or embraced by Dumisani and Vimbai with different futures in mind—collapses in unexpected brutality.



The novel is an acute portrayal of a rapidly changing Zimbabwe. In addition to Vimbai and Dumisani’s personal development, the book shows us how social concerns shape the lives of everyday people.

The Hairdresser of Harare

In her accomplished new story collection, Petina Gappah crosses the barriers of class, race, gender and sexual politics in Zimbabwe to explore the causes and effects of crime, and to meditate on the nature of justice. "Rotten Row" represents a leap in artistry and achievement from the award-winning author of "An Elegy for Easterly" and "The Book of Memory". With compassion and humour, Petina Gappah paints portraits of lives aching for meaning to produce a moving and universal tableau.

Rotten Row

Nhamo is a virtual slave in her African village in 1981. Before her twelfth birthday, Nhamo runs away to escape marriage to a cruel husband, and spends a year going from Zimbabwe to Mozambique. Alone on the river in a stolen boat, swept into the uncharted heart of a great lake, she battles drowning, starvation, wild animals.

Orchard collectible editions have new designs, author prefaces and discussion guides.

A Girl Named Disaster

In order to help her seriously ill boyfriend, gorgeous Sally Madison sets out to separate wealthy Harrington Faulkner from some of his money by offering him a cure for his ailing exotic fish, but her plan goes awry when the fish mysteriously vanish and Faulkner turns up dead. Reissue.

The Case of the Golddigger's Purse (Perry Mason, #26)

Intelligent, sensitive, and fiercely passionate, Martha Quest is a young woman living on a farm in Africa, feeling her way through the torments of adolescence and early womanhood. She is a romantic idealistic in revolt against the puritan snobbery of her parents, trying to live to the full with every nerve, emotion, and instinct laid bare to experience. For her, this is a time of solitary reading daydreams, dancing -- and the first disturbing encounters with sex. The first of Doris Lessing's timeless Children of Violence novels, Martha Quest is an endearing masterpiece.

Martha Quest

A leading writer of Zimbabwe s born-free generation reflects on the November 2017 ousting of Robert Mugabe, radically reframing the history of Zimbabwe to include the perspectives of workers, women and urban movements. In November 2017 the people of Zimbabwe took to the streets in an unprecedented alliance with the military. Their goal, to restore the legacy of Chimurenga, the liberation struggle, and wrest their country back from over thirty years of Robert Mugabe s rule. In an essay that combines bold reportage, memoir and critical analysis, Zimbabwean novelist and journalist Panashe Chigumadzi reflects on the coup that was not a coup , the telling of history and manipulation of time and the ancestral spirts of two women her own grandmother and Mbuya Nehanda, the grandmother of the nation. Chigumadzi successfully nests the intimate charge of her poignant personal story in the sweeping historical account and mythology of Zimbabwe.

These Bones Will Rise Again

In sixteen-year-old Katelan Janke's first Dear America book, we meet Grace Edwards, a little girl growing up in the heart of the Texas panhandle, in the midst of the Dust Bowl. Fierce, dust-filled winds ravage the plains and threaten the town's agricultural livelihood, creating poverty and despair among Grace's neighbors. Will her family's farm survive?

Survival in the Storm: The Dust Bowl Diary of Grace Edwards (Dear America)

Out of Africa tells the story of a farm that the narrator once had in Africa. The farm is located at the foot of the Ngong hills outside of Nairobi, in what is now Kenya. It sits at an altitude of six thousand feet. The farm grows coffee, although only part of its six thousand acres is used for agriculture. The remaining parts of the land are forest and space for the natives to live on.

Out of Africa / Shadows on the Grass

These ten short stories from the prize-winning Zimbabwean writer, were banned in (the then) Rhodesia, but some were published in Europe. One of the stories, 'The Setting Sun and the Rolling World', gave its title to another acclaimed collection.

Coming of the Dry Season

In "Don’t Let’s Go to the Dogs Tonight", Alexandra Fuller remembers her African childhood with candor and sensitivity. Though it is a diary of an unruly life in an often inhospitable place, it is suffused with Fuller’s endearing ability to find laughter, even when there is little to celebrate. Fuller’s debut is unsentimental and unflinching but always captivating. In wry and sometimes hilarious prose, she stares down disaster and looks back with rage and love at the life of an extraordinary family in an extraordinary time.

Don't Let's Go to the Dogs Tonight: An African Childhood

These short stories provide a glimpse into the lives of Zimbabwe's Rastafarians.

The Man Who Turned Into a Rastafarian - Short Stories

It's Prohibition. It's Philadelphia. And Jersey Leo doesn't fit in. 

Jersey is an albino of mixed race. Known as "Snowball" on the street, he tends bar at a speakeasy the locals call the Ink Well. There, he's considered a hero for having saved the life of a young boy. But when his old grade school buddy, Aaron Garvey, calls from death row and asks for one last favor, all hell breaks loose.

Jersey finds himself running from a band of crooked cops, hiding an escaped convict in the Ink Well, and reuniting with his grammar school crush—the now sultry Myra Banks, who has shed a club foot and become a speakeasy siren. Through it all, Jersey tries to safeguard the Ink Well with no help other than his ragtag group of friends: his ex-boxing-champion father, Ernie Leo; the street-savvy Johalis; a dim-witted dockworker named Homer; and the dubious palm reader Madame Curio. With them, Jersey digs for the truth about his friend Aaron Garvey—and winds up discovering a few things about himself.

Blind Moon Alley (Jersey Leo, #2)

"My name was Salmon, like the fish; first name, Susie. I was fourteen when I was murdered on December 6, 1973."

So begins the story of Susie Salmon, who is adjusting to her new home in heaven, a place that is not at all what she expected, even as she is watching life on earth continue without her -- her friends trading rumors about her disappearance, her killer trying to cover his tracks, her grief-stricken family unraveling. Out of unspeakable tragedy and loss, The Lovely Bones succeeds, miraculously, in building a tale filled with hope, humor, suspense, even joy.

The Lovely Bones

A sharply-perceived evocation of changing life in rural Zimbabwe during the 1960s and 1970s. Narrated from the point of view of a young boy, Godi, it follows the fortunes of a city-dwelling family who extablish a small farm in the country. As Godi grows himself, he observes the growth of the village as the people strive to resolve tensions between conflicting values and ambitions.

Dew in the Morning

Against a background of war, terrorism, disease and unbearable uncertainty about the future, this story of how a foreign correspondent and his wife fought to adopt a Zimbabwean baby emerges as an inspiring testament to the miracles that love and dogged determination can sometimes achieve. Don't miss this gripping memoir.

Foreign correspondent Neely Tucker and his wife, Vita, arrived in Zimbabwe in 1997. After witnessing firsthand the devastating consequences of AIDS on the population, especially the children, the couple started volunteering at an orphanage that was desperately underfunded and short-staffed. One afternoon, a critically ill infant was brought to the orphanage from a village outside the city. She’d been left to die in a field on the day she was born, abandoned in the tall brown grass that covers the highlands of Zimbabwe in the dry season. After a near-death hospital stay, and under strict doctor’s orders, the ailing child was entrusted to the care of Tucker and Vita. Within weeks Chipo, the girl-child whose name means gift, would come to mean everything to them.

Still an active correspondent, Tucker crisscrossed the continent, filing stories about the uprisings in the Congo, the civil war in Sierra Leone, and the postgenocidal conflict in Rwanda. He witnessed heartbreaking scenes of devastation and violence, steeling him further to take a personal role in helping anywhere he could. At home in Harare, Vita was nursing Chipo back to health. Soon she and Tucker decided to alter their lives forever—they would adopt Chipo. That decision challenged an unspoken social norm—that foreigners should never adopt Zimbabwean children.

Raised in rural Mississippi in the sixties and seventies, Tucker was familiar with the mores associated with and dictated by race. His wife, a savvy black woman whose father escaped the Jim Crow South for a new life in the industrial North, would not be deterred in her resolve to welcome Chipo into their loving family.

As if their situation wasn’t tenuous enough, Zimbabwe President Robert Mugabe was stirring up national fervor against foreigners, especially journalists, abroad and at home. At its peak, his antagonizing branded all foreign journalists personae non grata. For Tucker, the only full-time American correspondent in Zimbabwe, the declaration was a direct threat to his life and his wife’s safety, and an ultimatum to their decision to adopt the child who had already become their only daughter.

Against a background of war, terrorism, disease, and unbearable uncertainty about the future, Chipo’s story emerges as an inspiring testament to the miracles that love—and dogged determination—can sometimes achieve. Gripping, heartbreaking, and triumphant, this family memoir will resonate throughout the ages.

Love in the Driest Season: A Family Memoir

Moving and provocative short stories that explore the strained relations between parent and child, husband an wife, brothers, and friends, as traditional values of rural Africa clash with ambitions of urban life.

The Setting Sun and the Rolling World

Sweet Medicine is the story of Tsitsi, a young woman who compromises the values of her Catholic upbringing to find romantic and economic security through otherworldly means. The story takes place in Harare at the height of Zimbabwe’s economic woes in 2008. The book is a thorough and evocative attempt at grappling with a variety of important issues in the postcolonial context: tradition and modernity; feminism and patriarchy; spiritual and political freedoms and responsibilities; poverty and desperation; and wealth and abundance.

Sweet Medicine

Morgan has been so involved in the world of magick that her parents are furious with her for neglecting school. And now the members of her coven are being persecuted. Morgan is falling to pieces. How can she find the strength she so desperately needs?

Strife (Sweep, #9)

Year of the Uprising

At 16, Davey's stuck between becoming the man his father wants him to be, and leaving behind the child he was. Before Davey gets a chance to grow up, however, his placid life is destroyed when his parents are murdered and his family farm “reclaimed.” Neighboring farmers try to care for Davey by engaging him in their community of clubs, church, and boarding school, but one night Davey escapes, embarking on a harrowing trek away from civilization and toward revenge and redemption. Ian Holding’s tense, sparse prose, vivid sense of place, and searing portrait of a boy in a situation almost beyond imagining make this an unforgettable debut.

Zimbabwe

Nervous Conditions

Tsitsi Dangarembga

The House of Hunger

Dambudzo Marechera

The Book of Not (Nervous Conditions, #2)

Tsitsi Dangarembga

We Need New Names

NoViolet Bulawayo

Butterfly Burning

Yvonne Vera

The Stone Virgins

Yvonne Vera

Memories of Ice (Malazan Book of the Fallen, #3)

Steven Erikson

The Grass Is Singing

Doris Lessing

An Elegy for Easterly: Stories

Petina Gappah

The Last Resort: A Memoir of Zimbabwe

Douglas Rogers

A Harvest of Thorns

Corban Addison

Wait for the Rain

Maria Murnane

Adversary in the House: A Biographical Novel of Eugene V. Debs

Irving Stone

The Fear: Robert Mugabe and the Martyrdom of Zimbabwe

Peter Godwin

Mukiwa: A White Boy in Africa

Peter Godwin

Rainbow's End: A Memoir of Childhood, War and an African Farm

Lauren St. John

When a Crocodile Eats the Sun: A Memoir of Africa

Peter Godwin

Harare North

Brian Chikwava

Nehanda

Yvonne Vera

African Laughter: Four Visits to Zimbabwe

Doris Lessing

Casting with a Fragile Thread: A Story of Sisters and Africa

Wendy Kann

The Ear, the Eye, and the Arm

Nancy Farmer

Zenzele: A Letter for My Daughter

J. Nozipo Maraire

The Hairdresser of Harare

Tendai Huchu

Rotten Row

Petina Gappah

A Girl Named Disaster

Nancy Farmer

The Case of the Golddigger's Purse (Perry Mason, #26)

Erle Stanley Gardner

Martha Quest

Doris Lessing

These Bones Will Rise Again

Panashe Chigumadzi

Survival in the Storm: The Dust Bowl Diary of Grace Edwards (Dear America)

Katelan Janke

Out of Africa / Shadows on the Grass

Isak Dinesen

Coming of the Dry Season

Charles Mungoshi

Don't Let's Go to the Dogs Tonight: An African Childhood

Alexandra Fuller

The Man Who Turned Into a Rastafarian - Short Stories

Masimba Musodza

Blind Moon Alley (Jersey Leo, #2)

John Florio

The Lovely Bones

Alice Sebold

Dew in the Morning

Shimmer Chinodya

Love in the Driest Season: A Family Memoir

Neely Tucker

The Setting Sun and the Rolling World

Charles Mungoshi

Sweet Medicine