These two searingly funny and unsettling portraits of teenagers beyond the control and largely beneath the notice of adults in 1980s Taiwan are the first English translations of works by Taiwan's most famous and best-selling literary cult figure. Chang Ta-chun's intricate narrative and keen, ironic sense of humor poignantly and piercingly convey the disillusionment and cynicism of modern Taiwanese youth.

Interweaving the events between the birth of the narrator's younger sister and her abortion at the age of nineteen, the first novel, "My Kid Sister, " evokes the complex emotional impressions of youth and the often bizarre social dilemmas of adolescence. Combining discussions of fate, existentialism, sexual awakening, and everyday "absurdities" in a typically dysfunctional household, it documents the loss of innocence and the deconstruction of a family.

In "Wild Child, " fourteen-year-old Hou Shichun drops out of school, runs away from home, and descends into the Taiwanese underworld, where he encounters an oddball assortment of similarly lost adolescents in desperate circumstances. This novel will inevitably invite comparisons with the classic "The Catcher in the Rye, " but unlike Holden Caulfield, Hou isn't given any second chances. With characteristic frankness and irony, Chang's teenagers bear witness to a new form of cultural and spiritual bankruptcy.

Wild Kids: Two Novels about Growing Up

Chen Jiangshui is a pig-butcher in a small coastal Taiwanese town. Stocky, with a paunch and deep-set beady eyes, he resembles a pig himself. His brutality towards his new young wife, Lin Shi, knows no bounds. The more she screams, the more he likes it. She is further isolated by the vicious gossip of her neighbors who condemn her for screaming aloud. As they see it, women are supposed to be tolerant and put their husbands above everything else. According to an old Chinese belief, all butchers are destined for hell—an eternity of torment by the animals they have dispatched. Lin Shi, isolated, despairing, and finally driven to madness, fittingly kills him with his own instrument—a meat cleaver. A literary sensation in the Chinese language world with its suggestion that ritual and tradition are the functions of oppression, this novel also caused widespread outrage with its unsparing portrayal of sexual violence and emotional cruelty. This tale has made a profound impact on contemporary Chinese literature and today ranks as a landmark text in both women's studies and world literature.

The Butcher's Wife

August is Ghost Month in Taiwan-a time to commemorate the dead: burn incense, visit shrines, commemorate ancestors, and avoid unlucky situations, large purchases, and bodies of water.

Jing-nan, a young man who runs a food stand in a bustling Taipei night market, doesn't consider himself superstitious, but this August is going to haunt him no matter what he does. He is shocked to the core when he learns his ex-girlfriend from high school has been murdered. She was found scantily clad and shot in the chest on the side of a highway where she was selling betel nuts to passing truck drivers.

Beyond his harrowing grief for this lost love of his life, Jing-nan is also confused by the news: "betel nut beauties" are usually women in the most desperate of circumstances; the job is almost as taboo as prostitution. But Julia Huang had been the valedictorian of their high school, and the last time Jing-nan spoke to her she was enrolled in NYU's honor program, far away in New York. The facts don't add up. Julia's parents don't think so, either, and the police seem to have closed the case without asking any questions.

The Huangs beg Jing-nan if he can do some investigating on his own-reconnect with old classmates, see if he can learn anything about Julia's life that she might have kept from them. Reluctantly, he agrees, for Julia's sake; but nothing can prepare him for what he learns, or how it will change his life.

Ghost Month (Taipei Night Market #1)

What does a shy Englishman in search of rest do when he visits a fishing lodge in Georgia? In Larry Shue's hilarious farce, Charlie Baker, a proofreader by day and boring husband by night, adopts the persona of a foreigner who doesn't understand English. When others begin to speak freely around him, he not only becomes privy to secrets both dangerous and frivolous, he also discovers an adventurous extrovert within himself.

The Foreigner

On the island of Wayo Wayo, every second son must leave on the day he turns fifteen as a sacrifice to the Sea God. Atile'i is one such boy, but as the strongest swimmer and best sailor, he is determined to defy destiny and become the first to survive.

Alice Shih, who has lost her husband and son in a climbing accident, is quietly preparing to commit suicide in her house by the sea. But her plan is interrupted when a vast trash vortex comes crashing onto the shore of Taiwan, bringing Atile'i with it.

In the aftermath of the catastrophe, Atile'i and Alice retrace her late husband's footsteps into the mountains, hoping to solve the mystery of her son's disappearance. On their journey, memories will be challenged, an unusual bond formed, and a dark secret uncovered that will force Alice to question everything she thought she knew.

The Man with the Compound Eyes

After two years as a postgraduate student at Nanjing University in China, Vikram Seth hitch-hiked back to his home in New Delhi, via Tibet.  From Heaven Lake is the story of his remarkable journey and his encounters with nomadic Muslims, Chinese officials, Buddhists and others.

From Heaven Lake: Travels Through Sinkiang and Tibet

The Stolen Bicycle

A disillusioned and raggedy American reporter
and his drunken photojournalist partner are the last
to see three Japanese schoolgirls who disappear
into Taroko Gorge, Taiwan’s largest national park.
The journalists—who are themselves suspects—
investigate the disappearance along with the girls’
homeroom teacher, their bickering classmates,
and a seasoned and wary Taiwanese detective.
The conflicts between them—complicated by
the outrageousness of the photographer and the
raging hormones of the young—raise questions of
personal responsibility, truthfulness, and guarded
self-interest.
The world and its dangers—both natural and
interpersonal—are real, changing, and violently
pressing. And the emotions that churn in dark
rooms overnight as the players gather in the park
visitors’ center are as intense as in any closet
drama. There’s enough action and furor here to
keep readers turning the pages, and the cultural
revelations of the story suggest that the human
need for mystery outweighs the desire for answers.

Taroko Gorge

In this eloquent and atmospheric novel, Li Ang further cements her reputation as one of our most sophisticated contemporary Chinese-language writers. The Lost Garden moves along two parallel lines. In one, we relive the family saga of Zhu Yinghong, whose father, Zhu Zuyan, was a gentry intellectual imprisoned for dissent in the early days of Chiang Kai-shek’s rule. After his release, Zhu Zuyan literally walled himself in his Lotus Garden, which he rebuilt according to his own desires. Forever under suspicion, Zhu Zuyan indulged as much as he could in circumscribed pleasures, though they drained the family fortune. Eventually everything belonging to the household had to be sold, including the Lotus Garden. The second storyline picks up in modern-day Taipei as Zhu Yinghong meets Lin Xigeng, a real estate tycoon and playboy. Their cat-and-mouse courtship builds against the extravagant banquets and decadent entertainments of Taipei’s wealthy businessmen. Though the two ultimately marry, their high-styled romance dulls over time, forcing them on a quest to rediscover enchantment in the Lotus Garden. An expansive narrative rich with intimate detail, The Lost Garden is a moving portrait of the losses incurred as we struggle to hold on to our passions.

The Lost Garden: A Novel (Modern Chinese Literature from Taiwan)

Chu T'ien-hsin's "The Old Capital" is a brilliant evocation of Taiwan's literature of nostalgia and remembrance. The novel is centered on the question, "Is it possible that none of your memories count?" and explores the reliability of remembrances and the thin line that separates fact from fantasy.

Comprised of four thematically linked stories and a novella, "The Old Capital" focuses on the cultural and psychological realities of contemporary Taiwan. The stories are narrated by individuals who share an aching nostalgia for a time long past. Strolling through modern Taipei, they return to the lost, imperfect memories called forth by the smells and sensations of their city, and try to reconcile themselves to their rapidly changing world.

The novella is built on the memories and recollections of a woman trying to make sense of herself and her homeland. After a trip to Kyoto to meet with a friend, she returns to Taipei, where, having been mistaken for a Japanese tourist, she revisits the sites of her youth using a Japanese colonial map of the city. Seeing Taipei anew, the narrator confronts the complex nature of her identity, embodied in the contrast between a serene and preserved Kyoto and a thoroughly modernized and chaotic Taipei.

The growing angst of these narrators reflects a deeper anxiety over the legacy of Japan and America in Taiwan. The titles of the stories themselves-"Death in Venice," "Man of La Mancha," "Breakfast at Tiffany's," "Hungarian Water"-reveal the strong currents of influence that run throughout the collection and shape the content and texture of the writing. In his meticulous translation, Howard Goldblatt captures the casual, intimate feel of Chu T'ien-hsin's writing while also maintaining its multiple layers of meaning. An intertextual masterpiece, "The Old Capital" is a moving and highly sensual meditation on the elasticity of memory and its power to shape personal identity.

The Old Capital: A Novel of Taipei

"Crystal Boys" is the first Chinese novel on gay themes. A-qing, the adolescent hero, comes from an impoverished family. His father casts him out after learning that his son is gay. A-qing drifts into New Park, a gay hangout in Taipei, and begins his life as a hustler. He meets other boys living on the street, also forsaken by their families: Little Jade, who is constantly searching for his unknown father; Mousey, an orphan and petty thief; and Wu Min, a shy tender kid, who attempts suicide when discarded by a middle-aged man. These four boys become fast friends and are taken under the protection of Chief Yang, a fiftyish gay guru in the Park. The boys begin to build a family of their own. Meanwhile, A-qing meets Dragon Prince, whose passionate and faithful love for Phoenix Boy has become a legend of the Park...

The second part of the novel deals with the Cozy Nest, a gay bar run by Chief Yang, where the boys and other homosexual exiles have found refuge. The bar is sponsored by Papa Fu, whose young soldier son had shot himself when his homosexuality was exposed.

In Taiwan, the gay community is known as the "buoliquan", literally "glass community," while the individuals are called "glass boys" or "Crystal Boys."

"Crystal Boys" was first published in Taiwan and has since appeared in Hong Kong and in mainland China: two editions (Beijing and Harbin) were published in 1987. A film, "Outcasts", based on the novel and directed by Yu Kan-Ping (1986) is currently available in the United States on video cassette (subtitled).

Crystal Boys

With monumental changes in the last two decades, Taiwan is making itself anew. The process requires remapping not only the country's recent political past, but also its literary past. Taiwanese literature is now compelled to negotiate a path between residual high culture aspirations and the emergent reality of market domination in a relatively autonomous, increasingly professionalized field. This book argues that the concept of a field of cultural production is essential to accounting for the ways in which writers and editors respond to political and economic forces. It traces the formation of dominant concepts of literature, competing literary trends, and how these ideas have met political and market challenges.

Contemporary Taiwanese literature has often been neglected and misrepresented by literary historians both inside and outside of Taiwan. Chang provides a comprehensive and fluent history of late twentieth-century Taiwanese literature by placing this vibrant tradition within the contexts of a modernizing local economy, a globalizing world economy, and a postcolonial and post-Cold War world order.

Literary Culture in Taiwan: Martial Law to Market Law

Huang Fan burst onto Taiwan's literary scene in the 1980s, publishing pointed urban portraits and political satires that captured the reading public's attention. After decades of innovative work, he is now one of Asia's most celebrated authors, crucial to understanding the development of Taiwanese literature over the past fifty years.

The first collection of Huang Fan's work to appear in English, this anthology includes "Zero", a prize-winning dystopian novella echoing George Orwell's chilling 1984. Set in a postapocalyptic world, Zero features Xi De, a young man raised in an elite community who risks everything to challenge his society's charismatic leader and technocratic rule. Huang Fan's novella poignantly illustrates the quandary of an idealistic man trapped among conflicting claims to truth, unsure whether to think of himself as heroic or foolish in his ultimate choice of resistance and sacrifice.

This anthology also features three critically acclaimed short stories: "Lai Suo," which established Huang Fan's reputation as a groundbreaking author; "The Intelligent Man"; and "How to Measure the Width of a Ditch." In "Lai Suo," a na�ve individual becomes the pawn of powerful men intent on political advancement. In "How to Measure the Width of a Ditch," an unreliable narrator spins an absurdist, metafictional tale of his childhood in Taipei, and in "The Intelligent Man," Huang Fan weaves an allegorical satire about political reunification set against a backdrop of Taiwanese migration to the United States, with a trenchant look at expanding business interests in mainland China and Southeast Asia. All together, these remarkable works portray the tensions and aspirations of modern Taiwan.

Zero and Other Fictions

A Pail of Oysters

A classic Christmas picture book, One Wintry Night tells the story of a mountain boy who is injured in a snowstorm and seeks refuge in a cabin. While he waits out the storm, the woman who lives there tells him the Christmas story. Starting with the very creation of the world and ending with the resurrection, the boy discovers the big picture of God's plan for his people and situates the nativity within the scope of history. Breathtakingly illustrated by renowned artist and author Richard Jesse Watson, One Wintry Night is the perfect gift for the young and the young-at-heart.

One Wintry Night

Three generations of Taiwanese American women are haunted by the myths of their homeland in this blazing debut about one family's queer desires, violent impulses, and buried secrets.

One evening, Mother tells Daughter a story about a tiger spirit who lived in a woman's body. She was called Hu Gu Po, and she hungered to eat children, especially their toes. Soon afterwards, Daughter awakes with a tiger tail. And more mysterious events follow: Holes in the backyard spit up letters penned by her grandmother; a visiting aunt arrives with snakes in her belly; a brother tests the possibility of flight. 

All the while, Daughter is falling for Ben, a neighborhood girl with mysterious powers of her own. As the two young lovers translate the grandmother's letters, Daughter begins to understand that each woman in her family embodies a myth — and that she will have to bring her family's secrets to light in order to change their destiny. 

With a poetic voice of crackling electricity, K-Ming Chang is an explosive young writer who combines the wit and fabulism of Helen Oyeyemi with the subversive storytelling of Maxine Hong Kingston. 

Tracing one family's history from Taiwan to America, from Arkansas to California, 'BESTIARY' is a novel of migration, queer lineages, and girlhood.

PRAISE FOR 'BESTIARY'

"[A] VIVID, FABULTIST DEBUT. . . THE PROSE IS FULL OF IMAGERY. CHANG'S WILD STORY OF A FAMILY'S TENUOUS GRASP ON BELONGING IN THE UNITED STATES STANDS OUT WITH A DEEP COMMITMENT TO EXPLORING DISCOMFORT WITH THE BODY AND ITS TRANSFORMATION." ('PUBLISHERS WEEKLY')




RUNNING TIME =&gt; 9hrs.

©2020 K-Ming Chang (P)2020 Random House Audio

Bestiary: A Novel

Winner of the 1980 "United Daily" Literature Competition, this novel about love, betrayal, family life, and the power of tradition in small-town Taiwan was an instant bestseller when first published in Taiwan.

At once a bittersweet romance and a vividly detailed portrait of life in a southern Taiwanese coastal town in the 1970s, "A Thousand Moons on a Thousand Rivers" captures the intimacy of agricultural life in the midst of an increasingly industrialized society. At the heart of the story is Zhenguan, a sensitive young woman whose coming of age is influenced by new experiences in the city, the wisdom of her elders, and her strong, unique identity. In Zhenguan's journey of first love, suffering, disillusionment, and--ultimately--zenlike triumph, Hsiao Li-hung celebrates the values and traditions that have sustained and nurtured life in Taiwan through the centuries.

Hsiao traces the relationship of Zhenguan and her childhood friend Daxin against the background of daily existence and festival celebrations in their extended family. Daxin, in many ways Zhenguan's male counterpart, is fascinated by ancestral worship during Lunar New Year, riddle-solving during the Lantern Festival, and the noontime water and sticky rice dumplings of the Dragonboat Festival. These rituals, part of a rich cultural heritage, add charm to their romance while shedding light on the reasons for their eventual separation.

Hsiao uses simple lessons taught in the garden and prayers uttered in a mountaintop temple to enrich and temper the story with the spirit of Buddhist teachings. The novel masterfully interweaves Buddhist maxims, poetry, folk songs, and puns with the dialogue, capturing the integral nature of tradition in the characters' lives as they search for meaning and solace in life's unpredictable fortunes.

With understated elegance, Hsiao Li-hung's lyrical work affirms a way of life both fleeting and enduring. For readers interested in Chinese literature and culture, and anyone who enjoys a rich family saga, this is a unique and beautifully told story.

A Thousand Moons on a Thousand Rivers

"Translation of Contemporary Taiwan Literature" in a Cross-Cultural Context explores the social, cultural, and linguistic implications of translation of Taiwan literature for transnational cultural exchange. It demonstrates principally how asymmetrical cultural relationships, mediation processes, and ideologies of the translation players constitute the culture-specific translation activity as a highly contested site, where translation can reconstruct and rewrite the literature and the culture it represents.



Four main theoretical themes are explored in relation to such translation activity: sociological studies, cultural and rewriting studies, English as a lingua franca, as well as social and performative linguistics. These offer insightful perspectives on the translation as an interpretive encounter between not only two languages, two cultural systems and assumptions taking place, but also among various translation mediators.



This book will be useful to scholars and students working on translation and cultural studies, China/Taiwan literature studies and literature studies in cross-cultural contexts.

Translation of Contemporary Taiwan Literature in a Cross-Cultural Context: A Translation Studies Perspective

The role of a novel outer membrane protein of Francisella tularensis in host-pathogen interactions.

An international bestseller, The Taste of Apple Seeds is a story of love and loss that will captivate your heart

When Iris unexpectedly inherits her grandmother's house in the country, she also inherits the painful memories that live there.

Iris gives herself a one-week stay at the old house, after which she'll make a decision: keep it, or sell it. The choice is not so simple, though, for her grandmother's cottage is an enchanting place where currant jam tastes of tears, sparks fly from fingertips, love's embrace makes apple trees blossom, and the darkest family secrets never stay buried.

As Iris moves in and out of the flicker between remembrance and forgetting, she chances upon a forgotten childhood friend who could become more.

The Taste of Apple Seeds is a bittersweet story of heartbreak and hope passed down through the generations.

The Taste of Apple Seeds

Featuring rare interviews and sophisticated analysis, this book sheds light on Hou's narrative innovations and aesthetic triumphs while, along the way, unlocking some of the mysteries lurking behind one of the greatest bodies of cinematic work ever produced." -MICHAEL BERRY, University of California Santa Barbara 
 "Lupke's book provides comprehensive coverage, detailed contextualization, and insightful analysis from Hou's earliest works to his most recent accomplishment. The narrative is particularly compelling because it weaves cultural and social contexts and filmic texts together, and it brings various formal elements (image, editing, language, music) to bear upon one another. The book also includes careful comparison with another East Asian auteur Ozu Yasujiro. The Sinophone Cinema of Hou Hsiao-hsien is a significant addition." -GUO-JUIN, HONG, Duke University 
 "Lupke's comprehensive and original study excavates the literary inspirations of Hou's filmmaking, showing how Wu Nianzhen, Shen Congwen, and especially Zhu Tianwen shape his philosophy and aesthetic. In Lupke's convincing account, the anti-filial behaviors of their characters, which have attracted little critical attention, are the key to understanding their shared concern for the visible dissolution of the family in the modern world. In addition to its lucid analysis, this book contextualizes the filmmaking history of Hou in ways that illustrate the cultural and political significance of studying Taiwan Cinema in a global context." -HSIU-CHUANG DEPPMAN, Oberlin College
 "Serving both as an excellent comprehensive introduction to the filmmaker and as a series of in-depth readings, this informative, engaging, and insightful book covers the full range of Hou's work. Writing clearly and elegantly, Lupke perceptively relates Hou's films to both literary and cinematic antecedents. Aside from Hou's well-known connection to Taiwan's 'native soil' literature, Lupke highlights as well the filmmaker's debt to earlier mainland Chinese authors such as Shen Congwen, Zhang Ailing, and Hu Lancheng. Hou's singular contribution to film aesthetics, summarized as 'stasis within motion, ' comes through vividly and convincingly." -JASON MCGRATH, University of Minnesota

The Sinophone Cinema of Hou Hsiao-Hsien: Culture, Style, Voice, and Motion

Widely acclaimed as a classic of contemporary fiction in Chinese, "Taipei People" has been frequently compared to James Joyce's "Dubliners". Patrick Hanan praises the volume as -the highest achievement in the contemporary Chinese story.- Henry Miller considers Pai Hsien-yung -a master of portraiture.- Stories from this collection have already been translated into French, German, Italian, Dutch, Hebrew, Japanese and Korean.

Taipei People

A man who has come from nothing, from poverty and loss, finds himself a beautiful wife, his dream love. When she vanishes without a trace, he sets up a small café in her favourite spot on the edge of the South China Sea, hoping she'll return.Instead, he is confronted by the man he suspects may be responsible for everything he has suffered: Luo Yiming, a prominent businessman and philanthropist who holds the small town in his sway. In the few moments the two men spend together, Luo is driven mad.So begins a story of desire and betrayal set against the tumultuous first decade of Taiwan's 21st Century. The recipient of all three of Taiwan's major literary prizes, "My Enemy's Cherry Tree "is a story of love, money and coercion, in which two men who have sought to acquire something unattainable, instead lose something irreplaceable.

My Enemy's Cherry Tree

Set in the post-martial-law era of late 1980s Taipei, "Notes of a Crocodile" depicts the coming-of-age of a group of queer misfits discovering love, friendship, and artistic affinity while hardly studying at Taiwan's most prestigious university. Told through the eyes of an anonymous lesbian narrator nicknamed Lazi, Qiu Miaojin's cult classic novel is a postmodern pastiche of diaries, vignettes, mash notes, aphorisms, exegesis, and satire by an incisive prose stylist and countercultural icon.

Afflicted by her fatalistic attraction to Shui Ling, an older woman who is alternately hot and cold toward her, Lazi turns for support to a circle of friends that includes the devil-may-care, rich-kid-turned-criminal Meng Sheng and his troubled, self-destructive gay lover Chu Kuang, as well as the bored, mischievous overachiever Tun Tun and her alluring slacker artist girlfriend Zhi Rou.

Bursting with the optimism of newfound liberation and romantic idealism despite corroding innocence, "Notes of a Crocodile" is a poignant and intimate masterpiece of social defiance by a singular voice in contemporary Chinese literature.

Notes of a Crocodile

Hualien, on the Pacific coast of eastern Taiwan, and its mountains, especially Mount Qilai, were deeply inspirational for the young poet Yang Mu. A place of immense natural beauty and cultural heterogeneity, the city was also a site of extensive social, political, and cultural change in the twentieth century, from the Japanese occupation and the American bombings of World War II to the Chinese civil war, the White Terror, and the Cold War.

Taken as a whole, these evocative and allusive autobiographical essays provide a personal response to history as Taiwan transitioned from a Japanese colony to the Republic of China. Yang Mu recounts his childhood experiences under the Japanese, life in the mountains in proximity to indigenous people as his family took refuge from the American bombings, his initial encounters and cultural conflicts with Nationalist soldiers recently arrived from mainland China, the subsequent activities of the Nationalist government to consolidate power, and the island's burgeoning new manufacturing society.

Nevertheless, throughout those early years, Yang Mu remained anchored by a sense of place on Taiwan's eastern coast and amid its coastal mountains, over which stands Mount Qilai like a guardian spirit. This was the formative milieu of the young poet. Yang Mu seized on verse to develop a distinct persona and draw meaning from the currents of change reshuffling his world. These eloquent essays create an exciting, subjective realm meant to transcend the personal and historical limitations of the individual and the end of culture, "plundered and polluted by politics and industry long ago."

Memories of Mount Qilai: The Education of a Young Poet

The first comprehensive English-language study of literary trends in the fiction of Taiwan over the last forty years, this pioneering work explores a rich tradition of literary Modernism in its shifting relationship with Chinese politics and culture. 
Situating her subject in its historical context, Sung-sheng Yvonne Chang traces the connection between Taiwan's Modernists and the liberal scholars of pre-Communist China. She discusses the Modernists' ambivalent relationship with contemporary Taiwan's conservative culture, and provides a detailed critical survey of the strife between the Modernists and the socialistically inclined, anti-Western Nativists. Chang's approach is comprehensive, combining Chinese and comparative perspectives. Employing the critical insights of Raymond Williams, Peter Burger, M. M. Bahktin, and Fredric Jameson, she investigates the complex issues involved in Chinese writers' appropriation of avant-gardism, aestheticism, and various other Western literary concepts and techniques. Within this framework, Chang offers original, challenging interpretations of major works by the best-known Chinese Modernists from Taiwan.
As an intensive introduction to a literature of considerable quality and impact, and as a case study of the global spread of Western literary Modernism, this book will be of great interest to students of Chinese and comparative literature, and to those who wish to understand the broad patterns of twentieth-century literary history.

Modernism and the Nativist Resistance: Contemporary Chinese Fiction from Taiwan

Short story from authors July Newsletter. Part of the Guild Hunter Series.

Elena's School of Horror (Guild Hunter, #9.7)


  Combining an immersive exploration of nature with captivatingly beautiful prose, Jessica J. Lee embarks on a journey to discover her family's forgotten history and to connect with the island they once called home


Taiwan is an island of extremes: towering mountains, lush forests, and barren escarpment. Between shifting tectonic plates and a history rife with tension, the geographical and political landscape is forever evolving. After unearthing a hidden memoir of her grandfather's life, Jessica J. Lee seeks to piece together the fragments of her family's history as they moved from China to Taiwan, and then on to Canada. But as she navigates the tumultuous terrain of Taiwan, Lee finds herself having to traverse fissures in language, memory, and history, as she searches for the pieces of her family left behind.

Interlacing a personal narrative with Taiwan's history and terrain, " Two Trees Make a Forest" is an intimate examination of the human relationship with geography and nature, and offers an exploration of one woman's search for history and belonging amidst an ever-shifting landscape.

Two Trees Make a Forest: Travels Among Taiwan's Mountains & Coasts in Search of My Family's Past

The latest special issue of Taiwan Literature: English Translation Series focuses on the short stories written by Wang Chen-ho not only to reveal his leading role in the Nativist literature that rose in Taiwan during the 1990s, but to introduce his works in the unique local language of Taiwan for English language readers. In this special issue on Wang Chen-ho, seven stories were selected for translation: "The Winter That Year," "Two Tigers," "Little Lin Comes to Taipei," "She Really Can Put Curses on People," "Sulan's Gonna Get Married," "The Mouse Serves a Guest Tea," and "Miss Sulan's Gonna Get Married--A Lifetime of Marital Bliss." These seven stories span the two periods of Wang's works mentioned above. The first five belong to the first period of Naturalism, while the last two break away from Naturalism to embrace broader themes, even containing a lot of comedy, as in the final story, "Miss Sulan's Gonna Get Married--A Lifetime of Marital Bliss."

Taiwan literature - English translation series - Special issue on Wang Chen-ho

When the pioneering Taiwanese novelist Qiu Miaojin committed suicide in 1995 at age twenty-six, she left behind her unpublished masterpiece, "Last Words from Montmartre". Unfolding through a series of letters written by an unnamed narrator, "Last Words" tells the story of a passionate relationship between two young women—their sexual awakening, their gradual breakup, and the devastating aftermath of their broken love. In a style that veers between extremes, from self-deprecation to pathos, compulsive repetition to rhapsodic musings, reticence to vulnerability, Qiu’s genre-bending novel is at once a psychological thriller, a sublime romance, and the author’s own suicide note.

The letters (which, Qiu tells us, can be read in any order) leap between Paris, Taipei, and Tokyo. They display wrenching insights into what it means to live between cultures, languages, and genders—until the genderless character Zoë appears, and the narrator’s spiritual and physical identity is transformed. As powerfully raw and transcendent as Mishima’s "Confessions of a Mask", Goethe’s "The Sorrows of Young Werther", and Theresa Cha’s "Dictée", to name but a few," Last Words from Montmartre" proves Qiu Miaojin to be one of the finest experimentalists and modernist Chinese-language writers of our generation.

Last Words from Montmartre

"My South Seas Sleeping Beauty" is a captivating coming-of-age tale set in the magical jungles of Borneo. Told through the vivid recollections of a Chinese-Malay youth, the novel recounts the life of Su Qi, a troubled, sensitive son of a wealthy family, and exemplifies the imaginative range of one of Taiwan's most innovative writers.

"There were all sorts of stories about how my younger sister died," Su Qi begins, hinting at the power of memory to bend and refract truth. Yet whichever the real story may be, the fact is that the death of Su Qi's sister created an irrevocable rift in Su Qi's family, driving his father into the arms of aboriginal women and his mother into a world of her own invention.

In an effort to escape the oppression of home, Su Qi loses himself in the surrounding jungle, full of Communist guerillas and strange tropical fauna. The jungle further blurs the line between fantasy and reality for Su Qi, until he meets Chunxi, the beautiful, frail daughter of his father's best friend. Chunxi is an oasis of kindness and honesty in an otherwise cruel and evasive world, but after a bizarre accident, Chunxi falls into a deep coma, and Su Qui flees to Taiwan.

In college Su Qi meets Keyi, a vivacious siren who helps Su Qi forget not only his violent past but also the colorful tales of his youth. When a family member dies, however, Su Qi is pulled back to the jungles of Borneo where he begins to unravel the secrets of his family's past-a story stranger than any fairy tale-and learns that his cherished dream of awakening his beloved Chunxi may be more than just a fantasy.

Influenced by the lyricism of William Faulkner and the magical realism of Gabriel Garcia Marquez, "My South Seas Sleeping Beauty" is a deeply evocative exploration of sexuality and identity and a masterful reworking of Chinese and Western myth. Valerie Jaffee's careful translation retains all the tone and detail of the original work and provides rare access to a new and exciting generation of Chinese writers born in Southeast Asia.

My South Seas Sleeping Beauty: A Tale of Memory and Longing

Yang Mu is a towering figure in modern Chinese poetry. His poetic voice is subtle and lyrical, and his work is rich with precise images and crystalline thoughts invoking temporality and remembrance. A bold innovator and superb craftsman, he elegantly combines cosmopolitan experimentation with poetic forms and an allusive reverence for classical Chinese poetry while remaining rooted in his native Taiwan and its colonial history.



"Hawk of the Mind "is a comprehensive collection of Yang Mu's poetry that presents crucial works from the many stages of his long creative career, rendered into English by a team of distinguished translators. It conveys the complexity and beauty of Yang Mu's work in a stately and lucid English poetic register that displays his ability to range from meditative to playful and colloquial to archaic. The volume includes an editor's introduction and definitive commentary that offer insights into the poet's major themes and motifs, explaining how he draws on deep engagement with Chinese and Western literary traditions, history, and art as well as mythology, philosophy, and music and a profound love for the natural world to create a nuanced and multifaceted artistic universe. It also contains translations of prefaces and afterwords written by Yang Mu for collections of his poetry." Hawk of the Mind" demonstrates the breadth and depth of Yang Mu's oeuvre, illustrating the distinctive style and affective power of a great poet.

Hawk of the Mind: Collected Poems

From its beginnings as a pestilent port and colonial backwater, Hong Kong became the "pearl" of a declining British empire, and then ascended to its present status as a gleaming city of commerce. Throughout its history, Hong Kong has been steeped in drama, intrigue, and seismic social shifts. Shih Shu-ching, an acclaimed Taiwanese writer, sets her epic tale of one beautiful and determined woman's family amid this rich and colorful history, capturing in vivid, panoramic detail the unique tensions and atmosphere that characterize the city. Critically praised and long popular in the Chinese-speaking world, "City of the Queen" is now available for the first time in English.

After being kidnapped from her home in rural China, Huang, the novel's heroine, is brought to Hong Kong and sold into prostitution. Thanks to her shrewd, sometimes devious business dealings and unexpected twists of fate, she emerges from these cruel beginnings to become a wealthy landowner. "City of the Queen" follows the fortunes of Huang's family, including those of her devoutly Christian daughter-in-law, who tries to redeem the sins she believes Huang has committed; her grandson, who becomes the first Chinese judge on the Hong Kong Supreme Court; and her great-granddaughter, a quintessential Hong Kong young woman, who turns her back on family tradition to revel in the pleasures offered by the 1970s and 1980s metropolis.

The novel introduces a range of other Chinese and British characters, examining the complicated relationships between colonizer and colonized in a searing and perceptive portrayal of colonialism. There is Adam Smith, the British officer who struggles with the competing seductions of Huang's beauty and British respectability; Qu Yabing, Smith's servant, who despises anything Chinese, yet becomes Huang's lover after she is abandoned by Smith; Colonel White, the sadistic colonial police chief; and Auntie Eleven, a concubine who owns a pawnshop and teaches Huang the secrets of the trade.

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Hawk of the Mind: Collected Poems

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