Raskolnikov, a destitute and desperate former student, wanders through the slums of St Petersburg and commits a random murder without remorse or regret. He imagines himself to be a great man, a Napoleon: acting for a higher purpose beyond conventional moral law. But as he embarks on a dangerous game of cat and mouse with a suspicious police investigator, Raskolnikov is pursued by the growing voice of his conscience and finds the noose of his own guilt tightening around his neck. Only Sonya, a downtrodden sex worker, can offer the chance of redemption.

Crime and Punishment

Acclaimed by many as the world's greatest novel, "Anna Karenina" provides a vast panorama of contemporary life in Russia and of humanity in general. In it Tolstoy uses his intense imaginative insight to create some of the most memorable characters in all of literature. Anna is a sophisticated woman who abandons her empty existence as the wife of Karenin and turns to Count Vronsky to fulfil her passionate nature - with tragic consequences. Levin is a reflection of Tolstoy himself, often expressing the author's own views and convictions.

Throughout, Tolstoy points no moral, merely inviting us not to judge but to watch. As Rosemary Edmonds comments, 'He leaves the shifting patterns of the kaleidoscope to bring home the meaning of the brooding words following the title, 'Vengeance is mine, and I will repay.

Anna Karenina

The first complete, annotated English Translation of Mikhail Bulgakov's comic masterpiece.

An audacious revision of the stories of Faust and Pontius Pilate, "The Master and Margarita" is recognized as one of the essential classics of modern Russian literature. The novel's vision of Soviet life in the 1930s is so ferociously accurate that it could not be published during its author's lifetime and appeared only in a censored edition in the 1960s. Its truths are so enduring that its language has become part of the common Russian speech.

One hot spring, the devil arrives in Moscow, accompanied by a retinue that includes a beautiful naked witch and an immense talking black cat with a fondness for chess and vodka. The visitors quickly wreak havoc in a city that refuses to believe in either God or Satan. But they also bring peace to two unhappy Muscovites: one is the Master, a writer pilloried for daring to write a novel about Christ and Pontius Pilate; the other is Margarita, who loves the Master so deeply that she is willing literally to go to hell for him. What ensues is a novel of inexhaustible energy, humor, and philosophical depth, a work whose nuances emerge for the first time in Diana Burgin's and Katherine Tiernan O'Connor's splendid English version.

The Master and Margarita

This epic tale about the effects of the Russian Revolution and its aftermath on a bourgeois family was not published in the Soviet Union until 1987. One of the results of its publication in the West was Pasternak's complete rejection by Soviet authorities; when he was awarded the Nobel Prize for Literature in 1958 he was compelled to decline it. The book quickly became an international best-seller.

Dr. Yury Zhivago, Pasternak's alter ego, is a poet, philosopher, and physician whose life is disrupted by the war and by his love for Lara, the wife of a revolutionary. His artistic nature makes him vulnerable to the brutality and harshness of the Bolsheviks. The poems he writes constitute some of the most beautiful writing featured in the novel.

Doctor Zhivago

Returning to Russia from a sanitarium in Switzerland, the Christ-like epileptic Prince Myshkin finds himself enmeshed in a tangle of love, torn between two women—the notorious kept woman Nastasya and the pure Aglaia—both involved, in turn, with the corrupt, money-hungry Ganya. In the end, Myshkin’s honesty, goodness, and integrity are shown to be unequal to the moral emptiness of those around him. In her revision of the Garnett translation, Anna Brailovsky has corrected inaccuracies wrought by Garnett’s drastic anglicization of the novel, restoring as much as possible the syntactical structure of the original story.

The Idiot

The Brothers Karamazov is a murder mystery, a courtroom drama, and an exploration of erotic rivalry in a series of triangular love affairs involving the “wicked and sentimental” Fyodor Pavlovich Karamazov and his three sons―the impulsive and sensual Dmitri; the coldly rational Ivan; and the healthy, red-cheeked young novice Alyosha. Through the gripping events of their story, Dostoevsky portrays the whole of Russian life, is social and spiritual striving, in what was both the golden age and a tragic turning point in Russian culture.

This award-winning translation by Richard Pevear and Larissa Volokhonsky remains true to the verbal
inventiveness of Dostoevsky’s prose, preserving the multiple voices, the humor, and the surprising modernity of the original. It is an achievement worthy of Dostoevsky’s last and greatest novel.

The Brothers Karamazov

"Dead Souls" is eloquent on some occasions, lyrical on others, and pious and reverent elsewhere. Nicolai Gogol was a master of the spoof. The American students of today are not the only readers who have been confused by him. Russian literary history records more divergent interpretations of Gogol than perhaps of any other classic.

In a new translation of the comic classic of Russian literature, Chichikov, an enigmatic stranger and conniving schemer, buys deceased serfs' names from their landlords' poll tax lists hoping to mortgage them for profit and to reinvent himself as a likeable gentleman.

Dead Souls

The novel evolved and expanded from an 1849 short story or sketch entitled "Oblomov's Dream". The novel focuses on the midlife crisis of the main character, Ilya Ilyich Oblomov, an upper middle class son of a member of Russia's nineteenth century landed gentry. Oblomov's distinguishing characteristic is his slothful attitude towards life. While a common negative characteristic, Oblomov raises this trait to an art form, conducting his little daily business apathetically from his bed. 

While clearly comedic, the novel also seriously examines many critical issues that faced Russian society in the nineteenth century. Some of these problems included the uselessness of landowners and gentry in a feudal society that did not encourage innovation or reform, the complex relations between members of different classes of society such as Oblomov's relationship with his servant Zakhar, and courtship and matrimony by the elite.

Oblomov

In its adventurous happenings, its abductions, duels, and sexual intrigues, "A Hero of Our Time" looks backward to the tales of Sir Walter Scott and Lord Byron, so beloved by Russian society in the 1820s and '30s. In the character of its protagonist, Pechorin, the archetypal Russian antihero, Lermontov's novel looks forward to the subsequent glories and passion of Russian literature that it helped, in great measure, to make possible.

A Hero of Our Time

Bazarov—a gifted, impatient, and caustic young man—has journeyed from school to the home of his friend Arkady Kirsanov. But soon Bazarov’s outspoken rejection of authority and social conventions touches off quarrels, misunderstandings, and romantic entanglements that will utterly transform the Kirsanov household and reflect the changes taking place across all of nineteenth-century Russia. 

Fathers and Sons enraged the old and the young, reactionaries, romantics, and radicals alike when it was first published. At the same time, Turgenev won the acclaim of Flaubert, Maupassant, and Henry James for his craftsmanship as a writer and his psychological insight. Fathers and Sons is now considered one of the greatest novels of the nineteenth century.

A timeless depiction of generational conflict during social upheaval, it vividly portrays the clash between the older Russian aristocracy and the youthful radicalism that foreshadowed the revolution to come—and offers modern-day readers much to reflect upon as they look around at their own tumultuous, ever changing world. 

Introduction by Jane Costlow

Fathers and Sons

The only English translation authorized by Aleksandr Solzhenitsyn 

First published in the Soviet journal "Novy Mir" in 1962, "One Day in the Life of Ivan Denisovich" stands as a classic of contemporary literature. The story of labor-camp inmate Ivan Denisovich Shukhov, it graphically describes his struggle to maintain his dignity in the face of communist oppression. An unforgettable portrait of the entire world of Stalin's forced work camps, "One Day in the Life of Ivan Denisovich" is one of the most extraordinary literary documents to have emerged from the Soviet Union and confirms Solzhenitsyn's stature as "a literary genius whose talent matches that of Dosotevsky, Turgenev, Tolstoy"--Harrison Salisbury

This unexpurgated 1991 translation by H. T. Willetts is the only authorized edition available, and fully captures the power and beauty of the original Russian.

One Day in the Life of Ivan Denisovich

"Life and Fate" is an epic tale of a country told through the fate of a single family, the Shaposhnikovs. As the battle of Stalingrad looms, Grossman's characters must work out their destinies in a world torn apart by ideological tyranny and war. 

Completed in 1960 and then confiscated by the KGB, this sweeping panorama of Soviet society remained unpublished until it was smuggled into the West in 1980, where it was hailed as a masterpiece.

"Librarian's Note: This is an alternative cover edition of ISBN13: 9780099506164"

Life and Fate

This satirical novel tells the story of the surgical transformation of a dog into a man, and is an obvious criticism of Soviet society, especially the new rich that arose after the Bolshevik revolution.

Heart of a Dog

Drawing on his own incarceration and exile, as well as on evidence from more than 200 fellow prisoners and Soviet archives, Aleksandr I. Solzhenitsyn reveals the entire apparatus of Soviet repression—the state within the state that ruled all-powerfully. Through truly Shakespearean portraits of its victims—men, women, and children—we encounter secret police operations, labor camps and prisons; the uprooting or extermination of whole populations, the welcome that awaited Russian soldiers who had been German prisoners of war. Yet we also witness the astounding moral courage of the incorruptible, who, defenseless, endured great brutality and degradation. "The Gulag Archipelago 1918–1956"—a grisly indictment of a regime, fashioned here into a veritable literary miracle—has now been updated with a new introduction that includes the fall of the Soviet Union and Solzhenitsyn's move back to Russia.

The Gulag Archipelago 1918–1956 (Abridged)

A collection of powerful stories by one of the masters of Russian literature, illustrating the author's thoughts on political philosophy, religion and above all, humanity: "Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead" (150th Anniversary Edition)

The compelling works presented in this volume were written at distinct periods in Dostoyevsky's life, at decisive moments in his groping for a political philosophy and a religious answer. From the primitive peasant who kills without understanding that he is destroying life to the anxious antihero of "Notes from Underground"—who both craves and despises affection—the writer's often-tormented characters showcase his evolving outlook on our fate.

Thomas Mann described Dostoyevsky as "an author whose Christian sympathy is ordinarily devoted to human misery, sin, vice, the depths of lust and crime, rather than to nobility of body and soul" and "Notes from Underground" as "an awe- and terror- inspiring example of this sympathy."

Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead

In the last two days of his own life, Peter Carson completed these new translations of "The Death of Ivan Ilyich" and "Confession" before he succumbed to cancer in January 2013. Carson, the eminent British publisher, editor, and translator who, in the words of his author Mary Beard, “had probably more influence on the literary landscape of [England] over the past fifty years than any other single person,” must have seen the irony of translating "Ilyich", Tolstoy’s profound meditation on death and loss, “but he pressed on regardless, apparently refusing to be distracted by the parallel of literature and life.” In Carson’s shimmering prose, these two transcendent works are presented in their most faithful rendering in English. Unlike so many previous translations that have tried to smooth out Tolstoy’s rough edges, Carson presents a translation that captures the verisimilitude and psychological realism of the original Russian text.

The Death of Ivan Ilyich and Confession

Two hundred years after civilization ended in an event known as the Blast, Benedikt isn't one to complain. He's got a job — transcribing old books and presenting them as the words of the great new leader, Fyodor Kuzmich, Glorybe — and though he doesn't enjoy the privileged status of a Murza, at least he's not a serf or a half-human four-legged Degenerator harnessed to a troika. He has a house, too, with enough mice to cook up a tasty meal, and he's happily free of mutations: no extra fingers, no gills, no cockscombs sprouting from his eyelids. And he's managed — at least so far — to steer clear of the ever-vigilant Saniturions, who track down anyone who manifests the slightest sign of Freethinking, and the legendary screeching Slynx that waits in the wilderness beyond.

The Slynx

The year is 2033. The world has been reduced to rubble. Humanity is nearly extinct. The half-destroyed cities have become uninhabitable through radiation. Beyond their boundaries, they say, lie endless burned-out deserts and the remains of splintered forests. Survivors still remember the past greatness of humankind. But the last remains of civilisation have already become a distant memory, the stuff of myth and legend. 

More than 20 years have passed since the last plane took off from the earth. Rusted railways lead into emptiness. The ether is void and the airwaves echo to a soulless howling where previously the frequencies were full of news from Tokyo, New York, Buenos Aires. Man has handed over stewardship of the earth to new life-forms. Mutated by radiation, they are better adapted to the new world. Man's time is over. 

A few score thousand survivors live on, not knowing whether they are the only ones left on earth. They live in the Moscow Metro - the biggest air-raid shelter ever built. It is humanity's last refuge. Stations have become mini-statelets, their people uniting around ideas, religions, water-filters - or the simple need to repulse an enemy incursion. It is a world without a tomorrow, with no room for dreams, plans, hopes. Feelings have given way to instinct - the most important of which is survival. Survival at any price. VDNKh is the northernmost inhabited station on its line. It was one of the Metro's best stations and still remains secure. But now a new and terrible threat has appeared. 

Artyom, a young man living in VDNKh, is given the task of penetrating to the heart of the Metro, to the legendary Polis, to alert everyone to the awful danger and to get help. He holds the future of his native station in his hands, the whole Metro - and maybe the whole of humanity.

Metro 2033 (Metro, #1)

Ostap Bender is an unemployed con artist living by his wits in postrevolutionary Soviet Russia. He joins forces with Ippolit Matveyevich Vorobyaninov, a former nobleman who has returned to his hometown to find a cache of missing jewels which were hidden in some chairs that have been appropriated by the Soviet authorities. The search for the bejeweled chairs takes these unlikely heroes from the provinces to Moscow to the wilds of Soviet Georgia and the Trans-caucasus mountains; on their quest they encounter a wide variety of characters: from opportunistic Soviet bureaucrats to aging survivors of the prerevolutionary propertied classes, each one more selfish, venal, and ineffective than the one before.

The Twelve Chairs

When young programmer Aleksandr Ivanovich Privalov picks up two hitchhikers while driving in Karelia, he is drawn into the mysterious world of the Scientific Research Institute of Sorcery and Wizardry, where research into magic is serious business. Where science, sorcery and socialism meet, can chaos be far behind?

Monday Begins on Saturday

"The Foundation Pit" portrays a group of workmen and local bureaucrats engaged in digging the foundation pit for what is to become a grand 'general' building where all the town's inhabitants will live happily and 'in silence.'

The Foundation Pit

Set within a contemporary black community in Southern California, Brit Bennett's mesmerizing first novel is an emotionally perceptive story about community, love, and ambition. It begins with a secret.

"All good secrets have a taste before you tell them, and if we'd taken a moment to swish this one around our mouths, we might have noticed the sourness of an unripe secret, plucked too soon, stolen and passed around before its season."

It is the last season of high school life for Nadia Turner, a rebellious, grief-stricken, seventeen-year-old beauty. Mourning her own mother's recent suicide, she takes up with the local pastor's son. Luke Sheppard is twenty-one, a former football star whose injury has reduced him to waiting tables at a diner. They are young; it's not serious. But the pregnancy that results from this teen romance—and the subsequent cover-up—will have an impact that goes far beyond their youth. As Nadia hides her secret from everyone, including Aubrey, her God-fearing best friend, the years move quickly. Soon, Nadia, Luke, and Aubrey are full-fledged adults and still living in debt to the choices they made that one seaside summer, caught in a love triangle they must carefully maneuver, and dogged by the constant, nagging question: What if they had chosen differently? The possibilities of the road not taken are a relentless haunt.

In entrancing, lyrical prose, The Mothers asks whether a "what if" can be more powerful than an experience itself. If, as time passes, we must always live in servitude to the decisions of our younger selves, to the communities that have parented us, and to the decisions we make that shape our lives forever.

The Mothers

One of the most influential short stories ever written, Nikolai Gogol's ''The Overcoat'' first appeared in 1842 as part of a four-volume publication of its author's Collected Works. The story is considered not only an early masterpiece of Russian Naturalism-a movement that would dominate the country's literature for generations-but a progenitor of the modern short story form itself. "We all came out from under Gogol's 'Overcoat'" is a remark that has been variously attributed to Dostoevsky and Turgenev. That either or both might have said it is an indication of the far-reaching significance of Gogol's work.
Gogol's writings have been seen as a bridge between the genres of romanticism and realism in Russian literature. Progressive critics of his day praised Gogol for grounding his prose fictions in the everyday lives of ordinary people, and they claimed him as a pioneer of a new "naturalist" aesthetic. Yet, Gogol viewed his work in a more conservative light, and his writing seems to incorporate as much fantasy and folklore as realistic detail. "The Overcoat," which was written sporadically over several years during a self-imposed exile in Geneva and Rome, is a particularly dazzling amalgam of these seemingly disparate tendencies in Gogol's writing. The story begins by taking its readers through the mundane and alienating world of a bureaucratic office in St. Petersburg where an awkward, impoverished clerk must scrimp and save in order to afford a badly needed new winter coat. As the story progresses, we enter a fairy-tale world of supernatural revenge, where the clerk's corpse is seen wandering city streets ripping coats off the backs of passersby. Gogol's story is both comic and horrific-at once a scathing social satire, moralistic fable, and psychological study.


List of Contents: 


Introduction to Nikolai Gogol
Book 1: The Overcoat
Book 2: Taras Bulba
Book 3: St. John's Eve
Book 4: The Nose
Book 5: The Mysterious Portrait
Book 6: The Calash

Nikolai Gogol's The Overcoat and Selected Stories - Special Edition

"Nothing to Envy "follows the lives of six North Koreans over fifteen years—a chaotic period that saw the death of Kim Il-sung, the unchallenged rise to power of his son Kim Jong-il, and the devastation of a far-ranging famine that killed one-fifth of the population. 

Taking us into a landscape most of us have never before seen, award-winning journalist Barbara Demick brings to life what it means to be living under the most repressive totalitarian regime today—an Orwellian world that is by choice not connected to the Internet, in which radio and television dials are welded to the one government station, and where displays of affection are punished; a police state where informants are rewarded and where an offhand remark can send a person to the gulag for life. 

Demick takes us deep inside the country, beyond the reach of government censors. Through meticulous and sensitive reporting, we see her six subjects—average North Korean citizens—fall in love, raise families, nurture ambitions, and struggle for survival. One by one, we experience the moments when they realize that their government has betrayed them.  

"Nothing to Envy "is a groundbreaking addition to the literature of totalitarianism and an eye-opening look at a closed world that is of increasing global importance.

Nothing to Envy: Ordinary Lives in North Korea

Moscow, May 1876: What would cause a talented young student from a wealthy family to shoot himself in front of a promenading public in the Alexander Gardens? Decadence and boredom, most likely, is what the commander of the Criminal Investigation Division of the Moscow Police thinks, but still he finds it curious enough to send the newest member of the division, Erast Fandorin, a young man of irresistible charm, to the Alexander Gardens precinct for more information.

Fandorin is not satisfied with the conclusion that this is an open-and-shut case, nor with the preliminary detective work the precinct has done—and for good reason: The bizarre and tragic suicide is soon connected to a clear case of murder, witnessed firsthand by Fandorin. There are many unresolved questions. Why, for instance, have both victims left their fortunes to an orphanage run by the English Lady Astair? And who is the beautiful "A.B.," whose signed photograph is found in the apparent suicide's apartment? Relying on his keen intuition, the eager sleuth plunges into an investigation that leads him across Europe, landing him at the deadly center of a terrorist conspiracy of worldwide proportions.

The Winter Queen (Erast Fandorin Mysteries, #1)

To All the Boys I’ve Loved Before is the story of Lara Jean, who has never openly admitted her crushes, but instead wrote each boy a letter about how she felt, sealed it, and hid it in a box under her bed. 

But one day Lara Jean discovers that somehow her secret box of letters has been mailed, causing all her crushes from her past to confront her about the letters: her first kiss, the boy from summer camp, even her sister's ex-boyfriend, Josh. 

As she learns to deal with her past loves face to face, Lara Jean discovers that something good may come out of these letters after all.

To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1)

As the survivors settle into their prison home something has drawn them out into the open... out of the prison... out of their sanctuary. This is a major turning point for the overall story of The Walking Dead, setting the stage for years to come.

The Walking Dead, Vol. 5: The Best Defense

Red Schuhart is a stalker, one of those young rebels who are compelled, in spite of extreme danger, to venture illegally into the Zone to collect the mysterious artifacts that the alien visitors left scattered around. His life is dominated by the place and the thriving black market in the alien products. But when he and his friend Kirill go into the Zone together to pick up a “full empty,” something goes wrong. And the news he gets from his girlfriend upon his return makes it inevitable that he’ll keep going back to the Zone, again and again, until he finds the answer to all his problems.

Roadside Picnic

Nina Sheridan desperately needs a timeout vacation. With a fiancé who can't even remember how she takes her coffee, Nina wants some distance to rethink her engagement. Flying halfway around the world from England to a mountain town in Colorado should do the trick. But when she finds a gorgeous man at her rental cabin, Nina's cold, lonely adventure suddenly heats up.

The owner of the house, Holden "Max" Maxwell is surprised by the beautiful woman who turns up at his door. But when Nina becomes ill, Max spends days nursing her back to health. A private man with a broken heart, Max finds himself drawn to the strong-willed woman. Soon it becomes impossible for Nina and Max to deny their growing attraction to one another. Yet even as these two wounded lovebirds think about taking a chance on a relationship, a dangerous secret from Max's past emerges-and threatens to end their love for good.

The Gamble (Colorado Mountain, #1)

World-renowned Harvard symbologist Robert Langdon is summoned to a Swiss research facility to analyze a cryptic symbol seared into the chest of a murdered physicist. What he discovers is unimaginable: a deadly vendetta against the Catholic Church by a centuries-old underground organization -- the Illuminati. In a desperate race to save the Vatican from a powerful time bomb, Langdon joins forces in Rome with the beautiful and mysterious scientist Vittoria Vetra. Together they embark on a frantic hunt through sealed crypts, dangerous catacombs, and deserted cathedrals, and into the depths of the most secretive vault on earth...the long-forgotten Illuminati lair.
(back cover)

Angels & Demons (Robert Langdon, #1)

Since the author's death in 1990, Venedikt Erofeev's "Moscow-Petushki" has been acclaimed both in the West and in Russia as a postmodern masterpiece. Venia's anguished, intoxicated journey on the Moscow suburban train takes us deep into the cultural milieu of Brezhnev's Soviet Union and into the labyrinth of the soul. This volume includes critical essays by eight scholars, an introduction to Erofeev's life and work, and a comprehensive bibliography. The collection also offers a broad range of insights into this curious, brilliant, and unique work.

Venedikt Erofeev's Moscow-Petushki: Critical Perspectives

Lady Macbeth of the Mtsensk District

Harry Potter's life is miserable. His parents are dead and he's stuck with his heartless relatives, who force him to live in a tiny closet under the stairs. But his fortune changes when he receives a letter that tells him the truth about himself: he's a wizard. A mysterious visitor rescues him from his relatives and takes him to his new home, Hogwarts School of Witchcraft and Wizardry.

After a lifetime of bottling up his magical powers, Harry finally feels like a normal kid. But even within the Wizarding community, he is special. He is the boy who lived: the only person to have ever survived a killing curse inflicted by the evil Lord Voldemort, who launched a brutal takeover of the Wizarding world, only to vanish after failing to kill Harry.

Though Harry's first year at Hogwarts is the best of his life, not everything is perfect. There is a dangerous secret object hidden within the castle walls, and Harry believes it's his responsibility to prevent it from falling into evil hands. But doing so will bring him into contact with forces more terrifying than he ever could have imagined.

Full of sympathetic characters, wildly imaginative situations, and countless exciting details, the first installment in the series assembles an unforgettable magical world and sets the stage for many high-stakes adventures to come.

Harry Potter and the Sorcerer's Stone (Harry Potter #1)

Pushkin's version of the historical novel in the style of Walter Scott, this final prose work also reflects his fascination with and research into Russian history of the 18th century. During the reign of Catherine the Great, the young Grinev sets out for his new career in the army and en route performs an act of kindness by giving his warm coat to a man freezing in a blizzard. This action reaps its reward when he subsequently finds himself caught up in the rebellion headed by the infamous, and strangely familiar, Pugachev. Rivalry with a fellow officer for the affections of Captain Mironov's daughter further complicates Grinev's affairs, and ultimately it is only an appeal by Masha Mironova, the eponymous captain's daughter, to the Empress herself that can unravel a tangled web.

The Captain's Daughter

'He said that Shamil had ordered Hadji Murat to be taken dead or alive....'
 
Two masterly Russian tales of freedom, fighting and great warriors in the majestic mountains of the Caucasus, inspired by Tolstoy's years as a soldier living amid the Cossack people.

A new series of twenty distinctive, unforgettable Penguin Classics in a beautiful new design and pocket-sized format, with coloured jackets echoing Penguin's original covers.

The Cossacks and Hadji Murat

An absorbing novel of dissident life in the Soviet Union, by one of Russia’s most popular writers, "The Big Green Tent" is the kind of book the  term “Russian novel” was invented for. A sweeping saga, it tells the story of three school friends who meet in Moscow in the 1950s and go on to embody the heroism, folly, compromise, and hope of the Soviet dissident experience. These three boys—an orphaned poet; a gifted, fragile pianist; and a budding photographer with a talent for collecting secrets—struggle to reach adulthood in a society where their heroes have been censored and exiled. 

Rich with love stories, intrigue, and a cast of dissenters and spies, "The Big Green Tent" offers a panoramic survey of life after Stalin and a dramatic investigation into the prospects for integrity in a society defined by the KGB. Each of the central characters seeks to transcend an oppressive regime through art, a love of Russian literature, and activism. And each of them ends up face-to-face with a secret police that is highly skilled at fomenting paranoia, division, and self-betrayal. An artist is chased into the woods, where he remains in hiding for four years; a researcher is forced to deem a patient insane, damning him to torture in a psychiatric ward; a man and his wife each become collaborators, without the other knowing. 

Ludmila Ulitskaya’s big yet intimate novel belongs to the tradition of Dostoyevsky, Tolstoy, and Pasternak: a work of politics, love, and belief that is a revelation of life in dark times.

The Big Green Tent

Published to tie in with the world premiere at the Abbey Theatre, Dublin.

In Chekhov's tragi-comedy - perhaps his most popular play - the Gayev family is torn by powerful forces, forces rooted deep in history, and in the society around them. Their estate is hopelessly in debt: urged to cut down their beautiful cherry orchard and sell the land for holiday cottages, they struggle to act decisively. Tom Murphy's fine vernacular version allows us to re-imagine the events of the play in the last days of Anglo-Irish colonialism. It gives this great play vivid new life within our own history and social consciousness.

The Cherry Orchard

In Chris Bohjalian's astonishing novel, nothing is what it at first seems. Not the bucolic Vermont back roads college sophomore Laurel Estabrook likes to bike. Not the savage assault she suffers toward the end of one of her rides. And certainly not Bobbie Crocker, the elderly man with a history of mental illness whom Laurel comes to know through her work at a Burlington homeless shelter in the years subsequent to the attack.

In his moments of lucidity, the gentle, likable Bobbie alludes to his earlier life as a successful photographer. Laurel finds it hard to believe that this destitute, unstable man could once have chronicled the lives of musicians and celebrities, but a box of photographs and negatives discovered among Bobbie's meager possessions after his death lends credence to his tale. How could such an accomplished man have fallen on such hard times? Becoming obsessed with uncovering Bobbie's past, Laurel studies his photographs, tracking down every lead they provide into the mystery of his life before homelessness -- including links to the rich neighborhoods of her own Long Island childhood and to the earlier world of F. Scott Fitzgerald's "The Great Gatsby," with its larger-than-life characters, elusive desires, and haunting sorrows.

In a narrative of dazzling invention, literary ingenuity, and psychological complexity, Bohjalian engages issues of homelessness and mental illness by evoking the humanity that inhabits the core of both. At the same time, his tale is fast-paced and riveting -- "The Double Bind" combines the suspense of a thriller with the emotional depths of the most intimate drama. The breathtaking surprises of its final pages will leave readers stunned, overwhelmed by the poignancy of life's fleeting truths, as caught in Bobbie Crocker's photographs and in Laurel Estabrook's painful pursuit of Bobbie's past -- and her own. 


Behind "The Double Bind"

While Bobbie Crocker, the photographer in "The Double Bind," is fictitious, the photographs that appear in the book are real. They were taken by a man named Bob "Soupy" Campbell, who, as Chris Bohaljian explains in his Author's Note, "had gone from photographing luminaries from the 1950s and 1960s to winding up at a homeless shelter in northern Vermont." 

Bohaljian's viewing of Campbell's work after the photographer's death provided an inspiration for "The Double Bind". "We tend to stigmatize the homeless and blame them for their plight," Bohjalian writes. 

"We are oblivious to the fact that most had lives as serious as our own before everything fell apart. The photographs in this book are a testimony to that reality."

The Double Bind

The Insulted &amp; Injured, published soon after Dostoevsky's political imprisonment, clearly foreshadows his later preoccupation with unconscious psychological drives &amp; their external effects on the lives of his characters. Where his later works carry these drives to inevitably dramatic conclusions, The Insulted &amp; Injured confines them within the smaller boundaries of everyday event.
 In this story the impulse toward self-abnegation in love, which appears so markedly in both Vanya &amp; Natasha, isn't itself enough to direct their lives; instead, it combines with their social world &amp; the mundane ambitions of Prince Valkovsky to defeat their hope of happiness. Of all the characters in the novel, only Natasha's lover, the Prince's son Alyosha-the person least driven to mold life to his own terms-emerges untouched.
 Here are, to a greater extent than in Dostoevsky's more familiar works, flesh-&amp;-blood people as we see them around every day. They are made up of both good &amp; evil, of will &amp; acceptance. Unfailingly they command interest &amp; illuminate understanding.

The Insulted and Humiliated

Taras Bulba

His name was Feliks.  He came to London to commit a murder that would change history.  A master manipulator, he had many weapons at his command, but against him were ranged the whole of the English police, a brilliant and powerful lord, and the young Winston Churchill himself.  These odds would have stopped any man in the world-except the man from St. Petersburg...

The Man From St. Petersburg

Poor Folk is an epistolary novel -- that is, a tale told as a series of letters between the characters. And oh, what characters these are! Makar Dievushkin Alexievitch is a copy writer, barely squeaking by; Barbara Dobroselova Alexievna works as a seamstress, and both face the sort of everyday humiliation society puts upon the poor. These are people respected by no one, not even by themselves. These are folks too poor, in their circumstances, to marry; the love between them is a chaste and proper thing, a love that brings some readers to tears. But it isn't maudlin, either; Fyodor Dostoevsky has something profound to say about these people and this circumstance. And he says it very well. When the book was first published a leading Russian literary critic of the day -- Belinsky -- prophesied that Dostoevsky would become a literary giant. It isn't hard to see how he came to that conclusion, and in hindsight, he was surely was correct.

Poor Folk

Netochka Nezvanova - a 'Nameless Nobody' - tells the story of a childhood dominated by her stepfather, Efimov, a failed musician who believes he is a neglected genius. The young girl is strangely drawn to this drunken ruin of a man, who exploits her and drives the family to poverty. But when she is rescued by an aristocratic family, the abuse against Netochka's delicate psyche continues in a more subtle way, condemning her to remain an outsider - a solitary spectator of a glittering society. Conceived as part of a novel on a grand scale, Netochka Nezvanova remained incomplete after Dostoyevsky was exiled to Siberia for 'revolutionary activities' in 1849. With its depiction of the suffering, loneliness, madness and sin that affect both rich and poor in St Petersburg, it contains the great themes that were to dominate his later novels.

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The Insulted and Humiliated

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Taras Bulba